Tuesday, 28 April 2015

Development of a new acrylic painting - part 2

Here I am presenting the completed acrylic painting, which I started and posted on 18th April.

Not sure if this is what I had intended that first week, I rarely leave completing a painting to a second session let alone leaving it for so long. I normally know exactly what I am going to do and aim to complete in one two hour session.

There are fewer daffodils than I expected, and which appear in the reference work, although I do like this version and have had many positive comments from my colleagues in the art group.


I do think it has a very definite spring-time flavour, in fact much more so than the original reference painting. Is mine better? I am not quite saying that but they are different. This is always a feature of my work when "copying" from a reference; I study the original and then create a new work in my own style and do not try to copy the original exactly. In fact, quite the opposite. I select my own colours and work to my own composition. This can lead to images very different to that which I am working from.

Hope you do like this, not my usual subject matter although it is a landscape, but I think I like it. Time will tell ....

Thursday, 16 April 2015

The Winged Man - After Odilon Redon

I have just got to tell you a story of an old (early) pastel painting of mine based on an oil painting by Odilon Redon.

When I first started to learn "pastelling" techniques, I used to spend time copying old masters, often oil paintings but anything was open season as far as I was concerned in a quest to develop my own style and the techniques I wanted to explore. One of the sketches which I most liked was painted using The Winged Man by Redon. I still like it and enjoy looking at it.

Today, I wanted to remind myself of the original media used by Redon for his painting, I thought it was oil but I wanted to confirm it for a post I was writing for my FB page. I googled ... and found a copy of my version on a blog which seemed to purport to be a serious art blog. I am not sure! There, some way down the page, I found my own painting amongst a large number of works by the master himself. It is actually signed by myself so how could this blogger have made the mistake? Or did he not actually know or care?

I can only assume that by posting the work onto Flickr, I have put my work out there and it has gotten mixed up with the original somewhere along the line.


Can you see my signature (JRD) at the bottom right? Just for comparison you can see a copy of the original here.

I am not sure whether to be flattered or to be angry that my painting has been used without permission, it is supposed to be copyrighted (all rights reserved) - so much for Flicker's categorisations. I think perhaps, It is slightly more the former. And we all know that most people on the internet think that copyright is something that does not apply to them.

It is interesting to see that the colours in my painting are much more vivid than in the original, something I had not really noticed before.

Wednesday, 15 April 2015

Development of a new acrylic painting

I decided to work "large" with this latest piece, all of 8 inches by 6 inches - well at twice as large as my post cards, it is large as far as my last few weeks are concerned. Quite honestly I was looking for some card to continue with the post-card sized theme and came across a couple of slightly larger (but quite thick) pieces. Not wanting the bother of cutting these, I decided to use them as they were.

First of all, I prepared the surfaces with an acrylic gesso. The miniatures had been painted with quite "wet" paint, the acrylic had been diluted so that I could work wet-into-wet as if with watercolour. This time I was going to work with paint straight out of the tubes to try and get a textured effect. This was because the reference photo I had chosen was a photo of an oil painting from an old art magazine, and I wanted to try to achieve the same effect. I did not want the paint sinking into the surface of the card.

The painting I had chosen to work with, was from a 1998 (?) copy of The Artist/writer was Edward Noott. A scene of springtime daffodils growing in profusion at the edge of a road (?) with hedges and hills in a distant background. Here is a poor photograph of the painting from the magazine.


In this sort of subject, well in most subjects really, I like to paint the background first and then add the details in the foreground. In this way the background can be seen through the foreground subjects and I do not have to consider what I should do in the gaps - assuming there will be some.

My background looked like this:-


Not exactly a copy but that is how I work. I take the main elements from the reference and "do my own thing" with them. Not too sure it is exactly what I had in mind but good enough to work over at the group meeting next week.

Incidentally, a few of my colleagues thought that it was worth leaving it as it is - I suppose it does have a simple symmetry with a bright and airy feeling, but I shall finish what I have started. Hope to be posting the results next week.

Tuesday, 31 March 2015

A Surrealistic Sunset In Acrylic

Still on a role with these miniature paintings!

My fourth post-card sized painting in this media and format. I don't know why but I do love sunsets and the colourful displays which are possible. This painting is actually based on a reference photograph which I "borrowed". I never actually copy - I am not clever enough for that, but inspect my reference photos (maybe try one or two thumbnail sketches) and decide how I am going to tackle my version.

I decide on:-

  • Size (although to be fair this is often decided and I look for subjects to match)
  • Format (portrait / landscape)
  • Media (for me, the choice is watercolour, pastel or acrylic)
  • Colours (I often use alternative colours to express the mood I am trying to capture)
  • How to simplify the chosen subject (I usually do simplify most of my paintings as it is colour and texture which I use mostly in my artwork)
  • Exactly which elements of the reference to include (or I may add something else to tell the story I am describing)
  • Lastly, knowing what I am going to do, I decide how I am going to tackle it. Maybe which colours to lay first, will the colours be built on layers or individually laid down and such mundane but important constructs. Will the be laid wet-on-wet or otherwise. Do I need to do any drawing before putting down any colour.
Finally, I am ready. And once I do start the actual painting I aim to finish it as quickly as possible. I am not like many of my art group colleagues who will spend week after week on the same painting. Often necessary for the realistic work they choose to paint. I am a fan of the slap it on and watch it dry school of art. I always did like the impressionists way of working. Work quickly to capture the light of the moment.

Well after all that crap, here is the painting itself:



In the reference photo, the foreground trees / bushes were in silhouette, I decided to capture an earlier time before the light was completely gone. The foreground is therefore completely from my own artistic dictionary.

Well there it is, I hope you like it. Having used up all my postcards(?) I will have to try something else next week. If you enjoy my miniatures, check out one of my posts on my atc-sized miniature canvas paintings - also acrylic.

Wednesday, 25 March 2015

Acrylic Paintings - The Northern Lights

I am intending to include all image-based artwork on this blog, returning to its original objectives as a diary of my travails on the road to creating art. I am reducing the number of blogs I currently manage from seven (check out the Nav Bar under the header image, above) to 3 or possibly four.

This is the first post on the subject of my painting for quite a while, but will become its home in the future.

Have you been watching the Big Art Challenge on the BBC. Not a great art program, maybe a good TV program but that's a matter of opinion. Anyway, The BBC is running a competition alongside the TV show called The Little Art Challenge. It supplied a quartet of four post-card sized cards for the use of participating artists. Not wanting to waste the opportunity, I have used these to paint three paintings (so far) using acrylic paints. As plain card not usable for watercolours and too small for pastel (my main media) and so I called up the back-up acrylics. I don't use it very often but have painted miniature canvasses and abstracts, which have been exhibited at my art group's exhibitions.

So ... what have I done? Well the two paintings of the aurora borealis are (as is my style) quite stylised and were taken from photographs I came across and used as references.




I enjoy working on this sort of subject. If you have followed my painting blog I will have said that sunsets / sunrise / etc are my favourite subjects. I can allow myself so much freedom, it is quite exhilarating. And after all I paint as a means of relaxation -it is one of my main leisure activities.

Well hope to see more of you on this blog as I write about all aspects of art based around imagery.

Saturday, 21 March 2015

My Last ATC's - Probably?

So many things happening in my life at the moment, I have had to sever the last links with the last site which involved me in creating "craft" rather than "art". A very subjective statement but I guess what I mean is that I will be spending lots more time painting rather than creating art in other ways. So please don't be upset, I do not mean to suggest that painting is in any way superior to making art in other ways.

Here are the last pair of artist trading cards which I made for the ATC challenge which I have been leading. I have had great fun for a number of years but I started papercrafting when I was at a low point with my painting. I had been painting ACEO's - and selling them on Ebay - and accidentally found collaged cards on the site. Thinking it was something I could do, I joined a number of sites over the years looking for ever more creative ideas / inspiration. I have a large collection of these miniature works of art collected by trading with friends from across five continents.


However, I have now found my muse again and need to spend more time painting. The site I referred to above, PDA, has not been very active for a good while and although I kept the challenge alive it has been in a long slow decline. I finally burnt my bridges last weekend. I intend to take this blog back to its roots and write about my art journey whichever media it involves. I will be mothballing the "Painting With John" site and including all art related posts on this blog in the future.


OK, here are the ATC's I promised. The theme was, "A magical recipe":-






Look out for more art in the weeks to come .... thanks for reading about my artistic journey.

I have just realised, I wrote along similar lines when I first started creating ATC's using collage. Check out what I had to say then in a post written in 2008, 


PS, I will be carefully looking over my "stash" collected over the last few years and will be reducing it considerably. Look out for the free give-aways of  material which will be happening over the rest of this year. 

Monday, 29 December 2014

Underneath The Arches - End of year ATC Trade theme

Well the title just about says it all, the deadline for the last challenge/swap for the ATC group on PDF, has passed. Wondering what 2015 will bring for us. Difficult at the moment as our "leader" has been concentrating on a bricks and mortar shop. But we live in hope and muddle along in the meantime.

The Theme was "Underneath The Arches", and boy we got so many interpretations of this theme. Here are my two cards:-


The first is titled, "No Mice Here"


And the second, "Behind Every Good Man ..."

I am not sure without reading back thru previous posts but I am getting myself into a rut with these ATC's and need to start setting more adventurous technique challenges. I am in need of a good dose of inspiration. Maybe 2015 is the year in which I start using my "many" different skills. I have been to lax about my art in general and really need to pull my finger out, as thte Duke of Edinburgh is fond of saying.

Here's to a great 2015 for all.